Friday, November 25, 2011

Thanksgiving leftover mini-casseroles


I came away with an unusually large collection of Thanksgiving leftovers this year - so I decided to fabricate a new way to finish off the heaps of stuffing, turkey, potatoes and - that Turkey-Day table staple - green bean casserole.
I employed my oven-proof souffle cups for a nice layered casserole. These fluted dishes are perfect for individual pot pies or other similar recipes; I'm almost always cooking for two, so they come in handy often.
I began with a packed crust of stuffing, and then added (in equal-sized layers) turkey, green bean casserole, mashed potatoes and gravy, more turkey and a last topping of stuffing. A sprinkling of classic French's fried onions adds hearty crunch, while echoing the onion flavors found in the stuffing and green beans. Heated through in a 350-degree oven, this recipe couldn't be simpler - but every bite is a grand combination of Thanksgiving flavors.

Tuesday, November 15, 2011

I'm currently loving . . .




Photographi by Bobbi. This Northwestern-Wisconsin photographer is only 21, but she's already captured my heart with her retro-fab, movement-based fashion photos and stunning, clear portraits of fairytale woodsy splendor. (It doesn't hurt that she's a little blonde pixie, whose haunting mod image echoes back to Edie Sedgwick and Twiggy). Her combinations of striking beauty and hardscrabble, small-town imagery really appeal to my senses, a la tulle and feathers floating over paint-chipped windows. (Personally, I'm dying for her to take my picture. :)

(All photographs by Bobbi Solum) http://photographibybobbi.blogspot.com

Tuesday, November 8, 2011

Elizabeth Taylor would be envious . . .



When my Grandma Jane, who was a fabulous woman in her own right, passed away a few years ago, I found myself with some of her equally fabulous jewelry. She loved gold and precious stones, but also had a veritable collection of fun and funky costume pieces. I was thrilled to discover that some of the oversized clip-on earrings she'd always worn would make terrific cocktail rings - which seemed gleefully appropriate to me, as I remember her fondly with a Manhattan in her bejeweled hand, always sparking and social. :)

For this particular ring, I needed pliers to pry the earring clip free (which is much easier than it might look) and used a strong glue (such as E-6000) to secure the bauble to a ring blank. These blanks are adjustable, inexpensive, and found at most craft stores - mine came in a set of four, which allows for mistakes or a whole set of cocktail bling. Pick some up and flaunt that vintage jewelry like your own personal Taylor-Burton diamond. ;)

Wednesday, August 3, 2011

Simple, Boho-Chic DIY


I can't really take credit for the design of this multi-strand necklace; that would have to be attributed to DIY diva Erica Domesek and her blog, P.S. I Made This. While Erica used classic plastic pony beads and fabric strips, I opted for a sliced-up cotton t-shirt (long past its prime) and a pack of wooden beads from Michael's. String, tie, done - with the help of a wide-eyed needle, as my baubles were a bit difficult to maneuver into their setting. I love the mixture of classic glamour and free-spirited boho style in this necklace - it's like Holly Golightly got into her NYC yellow cab and ended up at the Monterey Pop Festival. (Not to mention the ease with which it will transition from summer into fall. I'm a sucker for versatility).

Sunday, July 10, 2011

Anthropologie-inspired DIY



This "Emcee Tee" jumped out at me in the shabby-chic, retro-elegant (but notoriously pricey) retailer Anthropologie. Only problem ... the $40+ price tag! I picked up a similarly red-striped shirt at WalMart for five bucks, then hunted through the lace trim at the local Jo-Ann Fabrics until I scored a fairly good match to the Emcee Tee's finery. (It's no Mood, you Project Runway fans, but it will do). I used Aleene's Ok-to-Wash fabric glue to adhere the lace, and voila! my own Anthropologie creation. :) I discovered that washable fabric glue takes several days, if not a week or so, to fully "cure" - so, if attempting this super-simple DIY, don't don your new tee immediately. (Difficult, I know. :)

Tuesday, June 21, 2011

Style Icon: Louise Brooks


I'm a little obsessed with the 1920s. I don't know if it's the perceived glamour of those high-on-the-hog post-war years, because I'm a writer who should have been born about a century earlier, or my undying love for the literary biopic Mrs. Parker and the Vicious Circle - but I'm enchanted.
So, 23-skidoo, here's my fave 20s style maven, the lovely and slightly naughty Louise Brooks. That hair! (The quintessential black bob). Those eyes! (Smoldering and kohl-rimmed). Ms. Brooks languished in fabulous flapper fashions, luxurious fur coats, flirty headpieces, luminous strands of pearls and posed for provocative nude photos that scandalized the staid Victorian elders of her era. In one silent film still, only her posterior is visible as she leans forward onto an elegant sofa, her graceful back bare except for the thin, sparkling straps of a fairly scandalous evening gown. It's a lithe, sculpted form that would rival any Pilates-obsessed, gym-rat modern screen diva.

Monday, March 28, 2011

Skinny Jeans: Can we please hear the final death rattle?



I've recently been on the lookout for some cropped, straight-leg pants that hit just below the waist; the right spring/summer item to be dressed up or down, depending on shoe choice. As always, I started at my Usuals: I'm forever faithful to Old Navy, Target, Anne Taylor Loft, Marshall's, The Banana Republic Outlet, etc. I'm pretty much over the mall – I have a strange aversion to paying $70 for a white button-up shirt. (This means you, Express).
Old Navy and I usually have an amicable relationship; that is to say, I've always found it cute and fairly trendy, but not too young (read: Wet Seal. Is that even around anymore?). I can pick up random, inexpensive pieces that team well with personal or vintage touches, and make it my own for a reasonable price. The designers at Old Navy, it seems, have other ideas. While bypassing the obvious, the multiple tables of “skinny jeans” that don't EVER seem to go away, I noticed that almost every single pant, save for a few styles of regular denim, found it necessary to advertise the unpleasant adjectives “skinny,” “skinny fit,” and “super low-rise”. The hell, Old Navy? I assure you, the 12 year-old girls are still buying their infant-sized clothing at Hollister, and there they shall stay. All I want is a pair of pants that actually covers my derrière and doesn't leave a gap at the waist large enough to fit a lunch box – in other words, I would like to have pants with a zip-fly longer than, well, an actual fly.

Tuesday, March 22, 2011

Thirtysomething.


Something about 30 makes me want to run screaming in the opposite direction. Thirty is my parents when I was born. “Don't trust anyone over 30.” It's Mary Tyler Moore moving into a tiny Minneapolis apartment and “Oh, Mr. Graaant”-ing her way through pending middle age; the Capri pants, 60's flip and bubbly cuteness of Laura Petrie long since gone.
More importantly, I'm scared in a “stop the ride, I want to get off” kind of way. Except it's like being on the ferris wheel at the Taylor County Fair in 1985, gripping the sides of that tippy cart and realizing that it's not going to until the craggy-faced carnie says so.
I have a big list of “supposed to's” (as in, “I was supposed to . . . ) for 30. I was supposed to be married. (Check. Yay!). I was supposed to have a cute little house. (Check). I was supposed to have a successful writing career. (Um, not check). I was supposed to have a baby, or at least one on it's merry way. (Medical science will be working on that check).
I'm not sure where all of these expectations came from – I could blame it on society, television, reading, school, my parents – but they're my expectations, and mine alone, so, sure as that Taylor Co. Fair carnie had snake tattoos and a Kool hanging out of his mouth, the burden is mine to bear. Thirty solidifies my adult status, and isn't it irresponsible of me to place the blame on anyone but myself? Chalk one up to an adult thought pattern on my part. Yay!
I'm starting to forget things. Like what my awesome Paula Abdul L.A. Gear sneakers looked like (sorry, it was 1989), what clothes I wore and classes I had in high school, what my family used to eat for dinners. All potentially silly stuff, but I'm a writer – I notice everything. Smells, sounds, nuances – they're what my work is made of. I remember , as a child, asking my parents about their proms, or what they did when they were my age – and being so surprised that they really didn't remember some of those milestones. So, in other words, by age 40 I'll have forgotten everything about my high school prom. See? Scary.
American institution Andy Rooney (yes, he of the eldery editorial rants) said,

“A woman over 30 knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of 30 give a damn what you might think about her or what she's doing.”

Touche, Rooney. For a girl who spent most of her life worrying about classmates watching her when she got up to use the bathroom in school, was too afraid to speak up in a group, never thought she'd have a boyfriend, hated her legs and viciously criticized her body even at 118 pounds - I've come a long way, mentally. I've turned off (most of) the image noise, don't give a crap about walking through an auditorium of people, and could even be described as outgoing. And, as for mooning over boys and dog-earing yearbook pages – I ended up with a husband so great, that my 14 year-old persona would never have believed it.
I'd never listed a “supposed to be happy” in my mental collection of high expectations for adulthood – which is odd, because now, that is definitely one that I can give a resounding “check.” Thanks, Andy Rooney. I won't make fun of you (much) the next time you write an editorial composed entirely of complaints about stretchy watch bands.

Monday, March 21, 2011

P.S. - I Love This


Erica Domesek is my new DIY goddess. Her blog, P.S. - I Made This (and companion book of the same name), showcases a collection of tantalizing do-it-yourself fashion projects with user-friendly directions and wallet-friendly materials. Super-cheap copper pipe couplings from the lowly hardware store find an entirely new life when teamed with thick, elegant grosgrain ribbon ("Rose Gold Statement Necklace"); puffballs and hot glue reinvent a plain handbag ("Pompom Purse"); a sliced-up cotton t-shirt becomes a boho accessory ("Fringe Scarf"). Ms. Domesek has reached new heights of crafty-cool, recently gracing the set of Martha Stewart's afternoon show with some DIY examples from her new book. While cutting up a pair of tights for a funky necklace project demo, she very politely scoffed at Martha's inane question, "now, are these Wolfords?" ($90 hoisery, for the uninitiated). Sigh. Oh, Martha.

Wednesday, March 16, 2011

I'll take the $500 t-shirt, please.





I've been in love with Cate Blanchett's 2011 Oscar gown - mixed reviews be damned. She looks like a futuristic, vintage, Grecian warrior princess in that stunning Givenchy confection. I keep studying the details (flowing pale lavender fabric juxtaposed with sharp angles, gorgeous beading in a lovely contrasting yellow) intently, in case I missed some cue that was supposed to slap some fashion sense into me, as in: "oh, god, that gown is truly hideous. What was I thinking?!" It was a bad-ass risk, and fortunately, Miss Cate has the sort of kooky je ne sais quoi to pull it off. Besides, if I had to see one more nude-shaded, sparkly column gown, I was going to scream.

Drooling over that dress brought to mind the little gem at top right:
That's Claire Danes at the 1997 Oscars, adorably gracing the red carpet in something that is so quintessentially mid-90s, I would have killed for a copy to wear to my junior prom. An ice-blue, bias-cut silk skirt, and, um - is that a cap-sleeved t-shirt? I remember being absolutely fascinated by that outfit, particularly with the vintagey, rhinestone-esque necklace (this was well before mainstream costume baubles took cues from Grandma's jewelry box). Bias-cut silk doesn't do me any favors, but I still don't think I could pass it up.

Sunday, February 6, 2011

"Pearl"


Pearl used to give me little pillow-shaped pastries called kolatches. They were buttery and flaky and the insides oozed with sweet apricot filling. She let me play with her collection of 1950s Barbie dolls (their arms stiff and held straight out, tiny rubber feet pointed up on tiptoes, ready to receive itty-bitty open-toed shoes, faces foreign and ancient-looking with red-mouthed sneers) and didn't even mind if I turned her elaborate bookcase into a doll-sized apartment building – complete with curtains made from Kleenex.
They were beautiful, those books. Hardcover, some old and leathery, smelling of sharp age, the pages a dry yellowy-white like rustly vanilla ice cream. In the fifth grade I tried to read War and Peace, simply based on the fact that it was the most enormous book I'd ever seen. I had a high reading level, my teachers said. But even that couldn't get me through more than a page of complicated Russian names with more letters than the longest word I knew: semisomnambulant. Instead I found a Tennyson poem about a mermaid, and pretended to be an elegant 19th century lady on Pearl's window seat.
Pearl's house was next door to mine; our yards were bisected by an enormous row of blue hydrangeas. My mother always said that she didn't know how Pearl did it – blue hydrangeas were impossible. And she didn't even add lime to her soil, how in the world . . . My mother wondered this every spring like clockwork.
Before we knew Pearl, I loved her house. Before I was even old enough to love any building, I stared at it with childish wonder. My mother would pull me down the sidewalk in the Radio Flyer, its wheels squeaking out a lazy rhythm, and I would reach down to gather the little red-brown berries that collected on the concrete; refuse from the juniper trees that lined the yards on our street. I would collect them in the bottom of the wagon, watching them roll like tiny billiard balls into the corners1. Pearl would usually wave hello, or walk to the edge of the yard to talk with my mother, the two of them swapping what were, to me, the dull pleasantries of adulthood. But Pearl had a lovely lined face that was full of mischievous winks and asides for me – she was rare for an adult, seldom getting impatient or looking exasperated over children. She didn't mind toys in her yard or if a particularly intriguing flower was picked from her pretty gardens. (At age four, I came triumphantly bounding into the kitchen with a grubby fistful of her lovely irises, awash in a beautiful purple that was regal enough for a queen. My mother dropped her coffee cup in horror).
The house was of undetermined age - most likely an early 19th century building, according to my Dad; though how he knew that, I wasn't sure. The entire place was sturdy red brick, and the window frames were carefully painted and maintained white wooden scrollwork. It wasn't especially large, but the structure was rambling, with gables and dormers and an odd carport instead of a garage – very southern, my Dad said.
One of the windows was circular, a little round eye that, I found out later, peeked out from the library. I loved that small window. To me, it was the essence of charm and mystery. My own home contained all square windows, boring shapes that were to be expected in a house. I imagined that if I owned that round window I would lean my chin on the edge and peer out at the world when it was raining, pretending it was a porthole or the glass in a castle while the water ran translucent streaks down the pane.
Pearl's furniture was haphazard, a mix of antique pieces, new-ish sofas and her mother's 1940s kitchen table. She indulged my need for pretty, ladylike things and let me have tea parties in the library with her china cup collection. I was careful down to a science, setting the painted teacups in their matching saucers as delicately as I possibly could. The table I sat at was the most magnificent thing in the house, at least to me. Small and oval, just low enough to the ground for a child, it was dark mahogany, its surface a fairytale carving of knights and ladies, castles and renaissance scenery. An oval pane of glass was fitted perfectly over this carved story, and, best of all – four little stools were tucked underneath, cut with angles and curves that exactly mirrored the shape of the table, so that when they were not in use, they could be cleverly hidden. Someday, Pearl said, she would give it to me, when I was grown up and had a house of my own. But that was something I couldn't even begin to imagine.

Sunday, January 9, 2011

New flash fiction: "They Say He's Sentimental"


You always loved the classic Ford Mustangs. Not so much the muscle-car image of the 70s, but the somewhat chunkier models from around 1965, with their glowing red taillights and crackly factory radios that had once blared the Kinks, the Stones, the Association. Some golden flat-topped son of the Midwest trying to sneak a hand around a chaste, angora-clad shoulder to the chimes of “Cherish”. California blondes with eyes like the Pacific, dressed in white and breezing down the Ventura freeway like Brian Wilson's lyrics come to life. The baby boomers who stored their red ragtop beauty and only took it out for Sunday drives, lovingly polishing and tuning their lost youth. When you saw one once, abandoned and stripped next to the rusting hulks in the junkyard, you cried.
The man in DeKalb was selling his '65 convertible because, he said over tinny country phone lines, his wife wanted to turn the extra garage into a scrapbooking studio.
You agree that it's not exactly a fair trade-off, and drive all the way down from Wisconsin, past Chicago and then corn and soybeans and windmills, to see a slice of 1965.
Dan lets you in the kitchen door of the big yellow farmhouse, and his wife offers you lemonade, which you notice is actually sickly-sweet yellow Kool-Aid when it hits your tongue. She flits around like a hummingbird, and you are grateful when Dan finally takes you out to look at his “baby”, which he says with a sheepish grin, and he holds the screen door open with one work-browned arm.
Dan's farm has maybe seen better days. The driveway is crunchy with gravel and the outbuildings are all peeling with red paint. He has chickens but no other livestock; the fat white birds spill out onto the lawn.
The car is in a converted pole barn. Sunlight streams in, gently, dusty, through cracks in the walls and sparrows flutter up to the roof beams.
Dan has the Mustang carefully covered, and he removes the canvas cover as if it were swaddling on an infant. The car is ice blue, all silver chrome and white vinyl and it makes you catch your breath in the hot air.
“I bought it in Florida in 1970 and drove it all the way back to Chicago.” Dan is watching you watch the car, and his eyes are kind when he looks at you.
You run your hands along the side of the car, taking everything in and savoring that first moment, like meeting someone for the first time, someone you might have known in some other life. You notice that the passenger door seems a bit off-center, and ask if it needs repair or was left ajar.
At the same time, you offer the envelope of cash in your outstretched hand, as if afraid that he'll change his mind.
“No, it ain't ajar - it's a door.” Dan grins at his own wit, and tucks the envelope in the pocket of his jeans.
From the corner of your eye, you see his face change from playful to serious. His eyes get a little red, then a little watery, and then you have your arms around him in a hug; you just can't help it. When you drive away, he doesn't wave, but he stays there, watching, until all you see is a speck in the distance.

Thursday, January 6, 2011

Short fiction: "Pie"


“Pie”


When Willa was 9 years old her Mama wouldn't let her have pie. So she stole quarters from the jar above the refrigerator, standing on a kitchen chair with chunky legs quivering and sneakered feet on tiptoes. Pockets heavy with change, she stood up on her flamingo-pink Huffy pedals all the way to the store and bought a can of frosting. It was the fluffy butter cream kind – the type that made a perfect creamy-sugary-crunchy sandwich with graham crackers. She stowed it under her bed; the lacy white dust ruffle concealed any contraband beautifully.
Allison Reed lived across the street, and her mother kept M&Ms in a crystal dish on the coffee table. Willa would stare at the bowl, with all its facets distorting the hundreds of colored candy spheres, and dig her little fist inside to fill up her pockets with sticky handfuls. She didn't understand why her friend didn't take advantage of this delicious treasure, which was right in her very own house.
Allison shrugged, and watched Willa's rainbow-stained hands warily as they brushed the platinum hair of her new doll. “It's just always here.”
Allison and her doll had matching hair. She took piano lessons and tennis lessons and ballet lessons – she had everything and shared nothing, because there were no brothers or sisters in her house. She wore a little two-piece bathing suit at the city pool, and her slim brown legs flicked through the water like elegant scissor blades. Willa sat on the blue edge of the pool - where the butt of her swimsuit snagged on the concrete – extending one chubby pale leg out, then another, then another, until both were held out in disgusting tandem, chlorine-scented water beading over the baby-hair of childish limbs. All around her the other kids splashed, laughed and the teenage lifeguards lounged in their high red plastic seats, wrapping their bleached hair into endless ponytails and tilting their heavily-made up tan faces towards the sun.
In the mornings Mama pulled Willa's thick dark hair into a tight French braid – so tight that her brown eyes arched up at the corners – and sent her off to get on the school bus with Allison. Willa dreaded the bus, with its greasy-dirty smelling rubbery seats and ear-piercing child shrieks, so she walked in wide circles, crossing the street in a series of loops to waste plenty of time. Allison always brought two strawberry Pop-Tarts wrapped in a paper napkin. Sometimes she would give one to Willa, whose chilly Special K breakfast paled in comparison to a nice toasty pastry. When she bit into it, the sprinkles scraped the roof of her mouth and the sugary jam insides stung her tongue with sweet.

People called Willa's Mama beautiful. She had lovely large eyes and thick, dark curly hair – but what Willa noticed the most was that she was delicate, small and thin, like a doll. Her soft hands always had long fingernails, sometimes painted red or pink, and she watched herself in the bathroom mirror with a critical eye.
“You'll grow up, sweetheart,” she said with a pinched smile, squeezing Willa in a petite hug. “And you'll be so pretty.”
Mama always told Allison she was pretty. She would beam her bright-white smile and stroke Allison's hair whenever she said hello. Willa was old enough to notice that Mama never told Allison that she would be pretty when she grew up, but that she was pretty now. It made her stomach feel funny, like she was mad at Allison but sad with Mama at the same time. After that Willa started chewing her fingernails whenever Allison came over.

In the summers Allison and Willa would ride their bikes to the farm where Allison had a horse – it was a little doll house barn just outside of town, and a short 10-minute trip down sunny gravel roads. Willa would close her eyes and sail down the pebbled hills, legs and hair flying.
The horse was a dirty-white color with flaring nostrils and pink-tinged eyes – not the fairy-tale cream-colored animal of little girl fantasies. But when Allison rode it through the golden late-summer sunlight, Willa held her breath. Her light hair would stream behind her, and she bent her legs at the knee in two straight, clean bronze lines, squeezing the horse's belly with her heels, flying faster and faster around the bumpy field. Her pointed features remained dutifully serious, and when she let Willa sit behind her on the smooth English saddle, she kept straight and silent. Willa would clasp her hands around Allison's wisp of a waist, a clumsy passenger – she rose and fell haplessly on the horse's broad back, the grass swishing past, seemingly miles below her dangling feet. But the sky was so big and blue, streaked with clouds, and she leaned back into it, into the loud quiet of the country.

Afterwards they would sometimes get ice cream, and Willa would feel guilty about it, while she watched Allison casually eating some enormous bowl of chocolate-peanut butter-covered sundae. Allison's mother even gave her money for ice cream. Willa did not want to ask her Mama, because she knew what the answer wouldn't be. When she rode her bike into the garage, there was a single drip of melted vanilla on the pink handlebars. She wiped it clean with one finger, before the screen door slip-slapped and Mama, prettily flushed and wiping her hands on a dish towel, came out to ask how her day was. Willa would talk, but carefully leave out the ice cream part. This was not unusual – it just was.

When they were fourteen, Allison moved to a bigger house out in the country – rumor had it that she even had a bedroom in an honest-to-god tower. Willa didn't know, because Allison didn't talk to her anymore. She smiled beatifically, when she floated past in the hallways at school, but there were no more strawberry Pop-Tarts or shared squeaky bus seats. Most unfortunate was that Allison had gotten beautiful, just as predicted. Her white-blond hair reached the middle of her back, and her legs were still two clean bronze lines. She was on the honor roll and the track team. She seemed to be always happy; her laugh echoed across the school cafeteria like wind chimes. She made boys nervous. She made Willa nervous.
It was a fall afternoon that Allison came to the front door. Willa was home alone and making popcorn, the kind that came in little pressed red and white bags and slowly grew in the microwave, amid an angry flurry of bursting noises . Since Mama was gone, she melted a chunk of butter and dumped it over the bowl; the white pieces of fluff shrank under the warm greasy weight.
Willa saw Allison out of the corner of her eye – she was standing on the front steps, one hand bending a sleek leg back, stretching her quadriceps. She rang the doorbell again – pulled a tan arm around and above her head, first the right, then the left. From the corner of the bay window, Willa could see her blond ponytail and the heels of her pricey running shoes.
She swung the door open a little too quickly, and Allison looked up with the pearl-toothed smile that Willa remembered. As a child Allison had a mouthful of tiny, perfectly straight teeth, and it seemed that they had decided to stay that way. As she stared at them now, however, they seemed almost freakish – but Willa couldn't tell if that was the truth, or if she just really wanted it to be.
“Hi, Willa!” Allison's voice was breathless and too high. She gazed down from her considerable height, and smiled at Willa as if she were talking to a little child. “Is your mom home?”
Willa slouched in the door frame and wrapped her arms around her stomach, almost protectively. She was suddenly uncomfortably aware of her slouchy cotton shorts, and the old t-shirt she wore around the house in the summertime.
“Um . . . no. Why?” It became a flat statement instead of a question.
“Oh. We're selling raffle tickets for track.” Allison peered around the door, into the living room and the kitchen beyond it. She was flushed but not sweaty, and she held her slender frame almost regally, as if standing on front porches and obtaining money for sports was just about the most important thing she could do in her life up to that point. “Is your dad here?”
“No, no one else is home.” Willa felt the rising irritation that was nagging at her throat. Furious prickles of heat dotted her cheeks, like they did when she had to give a speech in school. She surveyed Allison, who, she now noticed, had grown actual breasts.
“Well, I'll check another time, OK? Bye!” Allison smiled again, a quick one this time – then she turned and sprinted down the driveway and into the street, a teenage gazelle with willowy limbs.
Willa watched her move gracefully, gradually getting smaller and smaller as she disappeared into a running dot at the end of the street. She looked at her bowl of popcorn, now soggy with melted fat, and thought better of it. The box of SnackWells fat-free chocolate cupcakes would do very nicely. The small cellophane wrappers ripped open easily, and the leftover frosting print made on each little paper square pedestal was easily scraped off with a metal-studded overbite. Willa sank into the couch cushions, while the late afternoon light bathed the living room in yellow and gold, and wondered if Allison ever had anything to be sad about.

In the summertime, Willa watered plants for Mrs. Henley across the street – lugging large, green plastic watering cans and dumping the sun-warmed contents of the garden hose into potted petunias and bleeding hearts, ducking into the dark, dusty garage to wipe the mud from her shoes. Mrs. Henley paid in thin, crumpled dollar bills that looked about as old as she was. The day before high school started, she handed Willa her usual handful of crinkly singles, and a blue Wedgwood dinner plate covered with an apple pie slice the size of Texas.
“I know you like my pie,” she remarked, gazing proudly at her baking handiwork.
Willa thanked Mrs. Henley and went out into the garage, standing perfectly still in the dim light, under the wooden beams covered with errant spiderwebs. The plate felt heavy in her hand.
“Good grief,” Mama spat when Willa set the plate on the kitchen counter. “Just what you need, pie. Well, save a little for your dad, and toss the rest.” She Looked at the pie plate as if it were something vile, evil, disgusting. “Can't that woman just pay you in cash?”
Willa scraped the pastry into the trash, watching the cinnamon-flecked filling ooze in over coffee grounds, eggshells, soggy paper towels. “She did.”
“Well. She doesn't have to worry about you, you're not her daughter.” Mama watched Willa's eyes watching hers as they surveyed chubby adolescent curves of flesh, the small bust, thickish legs ending in two dirty white tennis shoes. She held her thin hand at her throat, where the flesh was tight against her collarbone and the tiny gold chain of her usual pearl-pendant necklace lay, reposing over olive skin. To Willa, she looked for all the world as if she was getting herself ready for disappointment.
Willa's Mama took the Wedgwood plate in her hand, holding it over the sink, up to the light. Crust flakes and apple slid down the china, over the little painted dancing figures; men in old- fashioned suits and women wearing balloon-sleeved dresses with tiny waists drawn up tight by invisible painted corsets. “This sure is a pretty plate, though.”

In Willa's dream, Allison was slender, sylph-like and shiny-faced. Her eyes were hard and cold, like two round blue stones, and she wore her track uniform – maroon and white shorts up-to-there and a matching jersey tank emblazoned with the number 5. Her socks barely covered her slim ankles, and her shoes were those space-age shaped Nikes with the cratered rubber soles. But for some reason, she looked as beautiful as if she were wearing a prom gown. She stood in the middle of the high school gym, and stared up at the bleachers, which were filled with people, alternately staring back at her. There were boys, girls, old ladies, children. They all looked awestruck and, somehow, small. Allison stood in the center, perfect, taut, well-muscled limbs rooted to the spot. Her platinum hair was in a neat ponytail, so one could see the nape of her neck, tanned and smooth with a tiny mole in the hollow at the base of her skull. Willa imagined there were countless boys who were enamored with that spot; the boys who sat behind Allison in class and stared at the back of her neck, down past the elastic clasp of her bra, the bumps of her spine, the small of her back against the hard orange particle-board desk chair. She was sure that when they went to sleep at night, all sloppy-sweaty in their mysterious boy rooms, their dirty adolescent dreams ran rife with secret girl encounters. She, Willa, would never find her way into sleepy teenage male brains, because it seemed that the Allison Reeds of the world would stand in her way, with their perfect slender legs affixed to the floor – their slow, sweet smiles betraying their knowledge of what it was like to be always happy, always beautiful, always adored.
Willa was thinking about her dream when she saw Allison in the school parking lot, where all the yellow buses were lined up in a row, waiting for passengers and spewing exhaust fumes. Allison was alone, for once, her pale blue backpack dangling from her straight back, her French book clutched to her chest. Willa caught her eye over the packs of kids threading their way through the crowd. She was hesitant to wave, but then Allison gave her a tiny smile. She smiled and then she wrapped her arms around herself, either for warmth or security, Willa couldn't tell which. In that after-school mob, all alone like that, Allison actually managed to seem small. Willa found a seat on her bus, and leaned her head against the window, her temple cooling from the damp, dirty glass. When the bus started to move, she traced her finger along the dust, making swirls and curlicues, and she imagined herself on Allison's horse again, thundering over the same bumpy field, legs held tight to the animal's flank and the ground speeding past underneath. But this time she was alone, and it was she who urged the horse faster, laughing, leaning her head back into the loud quiet of the country and melting in with the blue sky. It was summer, it was bright and clean and pretty, and pie didn't seem so important anymore.